Laserfiche WebLink
program allows attendees the opportunity to feel ownership over their theater and learning <br />experience. The mental and emotional stimulation participants get from attending our series <br />can benefit both their mental and brain health. There has been an unexpected, but <br />welcomed, social benefit to the program as many use the series as a monthly opportunity to <br />gather with friends and family for a shared experience. We have found that many of our <br />patrons gather in the restaurants and coffee shops after the program to further discuss and <br />connect over what they learned and what it made them remember and contemplate. Not <br />only does this social stimulation benefit our audience, but it has economic benefits for our <br />downtown businesses. <br />Please describe in detail what the community grant funds will be specifically used for. <br />The Community Grant funds will be used to help pay the performers’ fees for our shows. <br />There are a limited number of individuals who excel at this art form and each of them have <br />a limited number of characters they portray. That fact alone makes booking only known and <br />local talent year after year challenging, but our desire to present seasons with diverse <br />stories and perspectives further complicates the task. We have found that we need to go <br />further afield to provide quality new characters for our audience to meet and engage with <br />each season. Luckily, our program has gained a lot of acclaim in Chautauqua circles and <br />more scholars are reaching out to us every year, eager to perform on the Pleasanton stage. <br />Now, most of the headliners from the country’s biggest Chautauqua festivals are contacting <br />us to perform in Pleasanton. The 2024 season includes Chautauqua headliners who hail <br />from Colorado, Ohio, Illinois, Nevada, West Virginia and Southern California. These grant <br />funds have allowed and will continue to allow us to explore more of these farther afield <br />options when booking future seasons. <br />Describe how this project is cost effective and whether the budget is reasonable for the <br />anticipated result. If this project does not receive funding, what will be the effect on this <br />project? <br />Over the years we have worked hard to keep the costs down for this program so we can <br />keep ticket costs affordable for our audiences. Performers often give us a discount because <br />we are a non-profit organization so their fees tend to be reasonable. Compared to other <br />performers’ requirements, we are getting an excellent product at less than the market rate. <br />We have negotiated deals with local hotels for rooms for our performers so that we are not <br />paying standard rates. This is no small feat in a community where hotel demand is high <br />during the week because of local business and a thriving outlet mall. The Museum staff and <br />volunteers carry out much of the administrative, marketing and public relations materials in- <br />house, thus keeping our direct costs to a minimum. However, with what amounts to three <br />performances for each show, the cost of the program has increased significantly post- <br />Covid. <br />If we get back to full sellout, the program will be more financially balanced, but we are not <br />back to full sell-outs yet. In 2022 we found about 30% of our “sell-out pre-pandemic <br />audience” did not come back to our live shows or our virtual alternative. In 2023 that <br />number decreased to 20%. Our audience is growing, but we still need to invest in building <br />back our core audience. To help decrease costs as we invest in growing our audience, we <br />cancelled our least attended shows in January and February, added a show in November <br />around Veteran’s Day, and networked with our performers to book a few “up and coming” <br />Page 40 of 116